The golden splendour of Kyoto‘s Kinkaku-ji evokes the moon and the stillness in my poem, “Kabuki Moon, Ukiyo-e.” (Irina Moga)

Two Poems by Irina Moga

Works by a Canadian writer who fell in love with Kyoto while visiting Japan
Himeji castle against a cloudy blue sky, rising above green trees.
Himeji’s “white egret castle,” which was the inspiration for my poem, “Kabuki Moon, Ukiyo-e.” (Irina Moga)

Kabuki Moon, Ukiyo-e

Snowflakes, once more—
their downward scattering
like floating feathers of wild geese.

And I’m watching squirrel paw traces crossing
layers of hoarfrost,
as if describing a warrior clan’s fate
stylized on a kamon.

Where is the main keep of this vanishing castle,
high up, shaped by squalls,
its middle moat,
its white egret ghost, dispersed in a whorl of inked strokes?

There must be a woodblock at hand,
engraved with a reversed drawing,
ready to line up on rice paper
our climate of calligraphy and ice.

Stillness—always in an invasion of movement.

A formation of clouds
washing against a silvery kabuki moon
wraps up the day
with a whipping question mark.

Irina Moga

Nijo castle main gate, Kyoto
Nijo castle’s main gate, mentioned in my poem, “Wave Man” (Irina Moga)

Wave Man

White-saffron moon over pines,
gliding in the ruffled mirror of the pond.

The day my lord lost his head,
later hoisted on a wooden pole
by the main gate,
his bloodied body dragged
through mud and snow,

I became 
a ronin in hiding, scorned, hunted,
my existence written
by the point of a long sword.

No anchor in my life, wave man
drifting from village to village
in search of darkness.

I’m lying low in the sour grass of this
winter’s happening —

fog, the currency of the script he wrote
as his jisei no ku, his death poem —
refuses to lift.

Irina Moga

Nijo castle moat, Kyoto
Nijo castle moat, Kyoto (Irina Moga)

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