by Sara Ackerman Aoyama A Murder on Teramachi Street is a work in progress with plans for at least three more books to create a series. In this excerpt, Keiko who is the owner of a small restaurant called Den on Teramachi Street chats with an old friend who is a regular customer. After some …Read More
Tag: Kyoto fiction
From a Work in Progress, by Malcolm Ledger Kyoto had seen very little of the war, though its truth had long struck bitter, painful blows. A world pregnant with unrealized hopes and dreams had now become wraith-like, tenuous, and contingent, its substance dim and opaque, melting away like warm breath on a cold, glistening mirror. …Read More
Hitoshi knelt on a blue cushion in the doorway leading out to the garden. Every evening he opened the outer doors and the sliding screens regardless of the season, and waited for Michiko until long after the sun had disappeared behind the trees. His heart knew that she would never return, but his head was stubborn.
Dougal McLeish had been staring out of his office window for a full hour, the yellowing light of an early autumnal evening creeping slowly across the cluttered desktop in front of him. Hands folded in his lap, shoulders sagging forward, his demeanour bore all the hallmarks of the dejected. Yet, there was no sadness in …Read More
Isil Bayraktar is one of only two paid-up members of WiK who are not native speakers of English. She comes from Turkey and while studying in Kyoto is working freelance for Turkish publications. She has been much taken with Kyoto’s literary heritage, drawing inspiration in her own unique way to write contemporary accounts of the …Read More
WiK Writing Competition
WiK Anthologies
The Nature of Kyoto (2023)
Eds. Lisa Twaronite Sone & Robert Weis
Foreword by Pico Iyer
Structures of Kyoto (2021)
Eds: Rebecca Otowa & Karen Lee Tawarayama
Foreword by Judith Clancy
Encounters with Kyoto (2019)
Eds: Jann Williams & Ian Josh Yates
Foreword by Juliet Winters Carpenter
Echoes (2017)
Eds: John Dougill, Amy Chavez, & Mark Richardson
Preface by Alex Kerr
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