A report written by Ruth Williams who calls Melbourne, Australia home. The launch took place on September 22, 2019.

Every good book deserves further acknowledgement and the third Writers in Kyoto Anthology qualifies. Following the Japanese launch held in Kyoto in June, an Australian launch took place in Tasmania in late September. This was fitting as both Jann Williams (the chief editor and designer) and Corinne Costello (the cover artist and daimonji illustrator) live on this beautiful island.

Friends, family and colleagues of both Jann and Corinne were thrilled when the Hobart launch was announced and delighted with the presentations, the venue, and the thoughtful provision of delicious hors d’oeuvres and a selection of wine and other beverages to enjoy.

Thanks goes to James Hampton for offering his restaurant Lizzie & Lefroy as the launch venue

After being welcomed by Michael Cromer, an accomplished practitioner in the local Urasenke tea group, the anthology was officially launched by Dr Heidi Auman (author, biologist and taiko player), who began by acknowledging the traditional owners of the land on which we met that day.

Not surprisingly, and indeed satisfyingly for the audience, Heidi’s focus was largely on the contributions to the anthology made by Jann and Corinne, drawing on an interview with the chief editor. This gave the audience insights into the many steps along the way involved in producing the publication. Heidi declared the anthology to be full of ‘elegance, balance, beauty and honesty’, adding ‘to sum it up would be to express a sense of ‘Ahhh!’ that resonates with an energetic sense of knowing.’

Heidi receiving applause and appreciation after launching the third WiK Anthology in Hobart, Tasmania

This was the perfect lead into Jann William’s talk. The audience was interested to learn of the role Jann played as chief editor: to create a publication of which the authors would be proud, and that readers would find stimulating and new. Based on the early response to the anthology, this aim was indeed achieved.

Jann informed us that the Kyoto launch was three months ago ‘to this day’, occurring on the Summer Solstice in Japan. (Winter in the Southern Hemisphere.) There was a pleasing sense of serendipity that the Hobart launch should occur on the Spring Equinox in Australia, especially with Jann’s interest and knowledge of the seasons through her work on the elements.

There were many people for Jann to thank, particularly the anthology writers and illustrators for their efforts and her siblings Ruth, Hugo and Rod for travelling from Melbourne for the launch

Jann read from Ken Rodger’s compelling and reflective essay in the anthology, as well as her contribution, Shinsen’en, a Heian-kyo Power Spot. The audience learnt that it is only a five-minute walk from where she stays when in Kyoto. You could almost see people wondering if they could drop by Jann’s lodgings for a visit and tour of the area!

A very appreciative audience. Some who have already travelled to Kyoto, reminiscing

Corinne Costello brought a strong sense of wonder and artistry to the event. She began by reading from Alan S. Weiss’ anthology story, An Intercalary Moment. Alan’s reference to ‘the hour entre chien et loup… a transformative moment’, correlated closely with Corinne’s interest in the Japanese concept of ‘ma’ (the space between two structural parts) in art. The audience were clearly fascinated with Corinne’s insights and many attendees spoke with her after the official launch.

Corinne fills the space between one of her beautiful works and a captive audience

Sometimes it is good to be reminded of the space between things. To acknowledge ‘the silence between the notes that make the music’. (*) The combination of ‘notes’ that have been brought together to create Encounters in Kyoto has resulted in a precious anthology, where the sum is more than its parts.

May the Australia-Japan connection continue for many years to come.

(*) When Less is More: Japanese “MA” concept, minimalism and beyond” wawaza.com